What is the distinction between the “type of intent” and the “characteristic type of intent”?
I feel the part of the Soul technique where I’m most vulnerable has to do with supporting characters. Thoughts?
Is a narrative theme always a deontological statement such as “One should or should not…”?
A viewing of the film Sweet Bird of Youth prompts the question: Can a theme serve as a character unto itself?
It strikes me that the grok approach could have a useful applications in theatrical text and character analysis, both for the director and the actor.